![]() The book provides an invaluable companion to Aristophanes and the theater of classical Greece for students and general readers alike.ĭieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden. ![]() This title provides not only a detailed analysis of the play and a concise account of its reception, but also a succinct introduction to ancient Greek comedy, exploring the extraordinary range of theatrical conventions, moral and aesthetic assumptions, and religious beliefs that underlie the action of Aristophanes' play. The birds and the clouds and the wasps are intrinsic parts of. What appears as a genuine discussion of literature is at all times subservient to Aristophanes’ political agenda. Indeed, in the Frogs Aristophanes criticizes Euripides and Aeschylus only in order to discuss the centrality of drama to political life at Athens. He highlights the play's unique portrayal of the figure of Dionysus, the Eleusinian mystery cult, and the question of life after death. IN MOST of the plays of Aristophanes, the choruses are clearly related to the play as a whole. education typified by sophistry and Socrates. After placing the work in its original historical, cultural, and biographical context, Griffith goes on to underscore the originality of Frogs in relation to parallel developments in the tragedies of Aeschylus and Euripides, among others. Mark Griffith's study of the Frogs is the first single book to offer a reliable and sophisticated account of this play in light of modern notions of culture, performance, democracy, religion, and aesthetics. Frogs has been admired and quoted by readers and critics ever since, a testament to its timeless appeal it remains among the most approachable of Aristophanes' plays, as well as perhaps the richest of all in insights it provides into ancient Greek cultural attitudes and values. Among them, Frogs has a unique appeal written and performed in 405 BCE, the comedy won first prize in that year's Lenaea festival competition and was re-performed soon thereafter-a rare occurrence for comedies at the time. Aristophanes is widely credited with having elevated the classical art of comedy to the level of legitimacy and recognition that only tragedy had hitherto achieved, and producing some of the most intriguing works of literature to survive from classical Greece in the process.
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